Tuesday, July 22, 2008

After a Movie

by Henry Taylor

The last small credits fade
as house lights rise. Dazed in that radiant instant
of transition, you dwindle through the lobby
and out to curbside, pulling on a glove
with the decisive competence
of the scarred detective

or his quarry. Scanning
the rainlit street for taxicabs, you visualize,
without looking, your image in the window
of the jeweler's shop, where white hands hover
above the string of luminous pearls
on a faceless velvet bust.

Someone across the street
enters a bar, leaving behind a charged vacancy
in which you cut to the dim booth inside,
where you are seated, glancing at the door.
You lift an eyebrow, recognizing
the unnamed colleague

who will conspire with you
against whatever the volatile script provides....
A cab pulls up. You stoop into the dark
and settle toward a version of yourself.
Your profile cruises past the city
on a home-drifting stream

through whose surface, sometimes,
you glimpse the life between the streambed and the ripples,
as, when your gestures are your own again,
your fingers lift a cup beyond whose rim
a room bursts into clarity
and light falls on all things.

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