And death shall have no dominion.
Dead men naked they shall be one
With the man in the wind and the west moon;
When their bones are picked clean and the clean bones gone,
They shall have stars at elbow and foot;
Though they go mad they shall be sane,
Though they sink through the sea they shall rise again;
Though lovers be lost love shall not;
And death shall have no dominion.
And death shall have no dominion.
Under the windings of the sea
They lying long shall not die windily;
Twisting on racks when sinews give way,
Strapped to a wheel, yet they shall not break;
Faith in their hands shall snap in two,
And the unicorn evils run them through;
Split all ends up they shan’t crack;
And death shall have no dominion.
And death shall have no dominion.
No more may gulls cry at their ears
Or waves break loud on the seashores;
Where blew a flower may a flower no more
Lift its head to the blows of the rain;
Though they be mad and dead as nails,
Heads of the characters hammer through daisies;
Break in the sun till the sun breaks down,
And death shall have no dominion.
Dialogues - poems we love
This is a place for poetry lovers to gather together. Readers may comment on the contributors' choices. Enjoy the poems!
Saturday, May 18, 2013
Monday, April 29, 2013
One Place To Begin
One Place to Begin by John Daniel
You need a reason, any reason—skiing, a job in movies,
the Golden Gate Bridge.
Take your reason and drive west, past the Rockies.
When you're bored with bare hills, dry flats, and distance,
stop anywhere.
Forget where you thought you were going.
Rattle through the beer cans in the ditch.
If there's a fence, try your luck—they don't stop cows.
Follow the first hawk you see, and when the sagebrush
trips you, take a good look before you get up.
The desert gets by without government.
Crush juniper berries, breathe the smell, smear your face.
When you wonder why you're here, yell as loud
as you can and don't look behind.
Walk. Your feet are learning.
Admit you're afraid of the dark.
Soak the warmth from scabrock, cheek to lichen.
The wind isn't talking to you. Listen anyway.
Let the cries of coyotes light a fire in your heart.
Remember the terrible song of stars—you knew it once,
before you were born.
Tell a story about why the sun comes back.
Sit still until the itches give up, lizards ignore you,
a mule deer holds you in her eyes.
Explain yourself over and over. Forget it all
when a scrub jay shrieks.
Imagine sun, sky, and wind the same, over your
scattered white bones.
"One Place to Begin" by John Daniel, from Of Earth. © Lost Horse Press, 2012. Thanks to The Writers Almanac
Thursday, April 18, 2013
To See My Mother
To See My Mother - By Sharon Olds
It was like witnessing the earth being formed,
to see my mother die, like seeing
the dry lands be separated
from the oceans, and all the mists bear up
on one side, and all the solids
be borne down, on the other, until
the body was all there, all bronze and
petrified redwood opal, and the soul all
gone. If she hadn't looked so exalted, so
beast-exalted and refreshed and suddenly
hopeful, more than hopeful—beyond
hope, relieved—if she had not been suffering so
much, since I had met her, I do not
know how I would have stood it, without
fighting someone, though no one was there
to fight, death was not there except
as her, my task was to hold her tiny
crown in one cupped hand, and her near
birdbone shoulder. Lakes, clouds,
nests. Winds, stems, tongues.
Embryo, zygote, blastocele, atom,
my mother's dying was like an end
of life on earth, some end of water
and moisture salt and sweet, and vapor,
till only that still, ocher moon
shone, in the room, mouth open, no song.
**********************
And mine:
LAST VISIT
Pared to the bone,
The ivory skin is wrinkled,
Cool and soft to the touch.
Spare flesh on the old bones,
The hands plucking,
Plucking the sheets -
Questioning, moving.
She lies on her side,
The blind eyes open.
Still smelling sweet.
She always has.
I bend to kiss her hands.
To tell her I am here.
"Oh, cover me with kisses,"
She cries in that hoarse,
Rusty voice -
And I do.
Silence then as
She drifts away,
Listening to the voices of memory.
"Mother, it's OK to go," I say.
The next morning she dies,
Alone in the room.
I could have stayed,
What urgency called me away?
I wanted so to see her out,
To ease her through the door.
I ache for the chance
To be with her again.
Mary Murphy 8/15/89
It was like witnessing the earth being formed,
to see my mother die, like seeing
the dry lands be separated
from the oceans, and all the mists bear up
on one side, and all the solids
be borne down, on the other, until
the body was all there, all bronze and
petrified redwood opal, and the soul all
gone. If she hadn't looked so exalted, so
beast-exalted and refreshed and suddenly
hopeful, more than hopeful—beyond
hope, relieved—if she had not been suffering so
much, since I had met her, I do not
know how I would have stood it, without
fighting someone, though no one was there
to fight, death was not there except
as her, my task was to hold her tiny
crown in one cupped hand, and her near
birdbone shoulder. Lakes, clouds,
nests. Winds, stems, tongues.
Embryo, zygote, blastocele, atom,
my mother's dying was like an end
of life on earth, some end of water
and moisture salt and sweet, and vapor,
till only that still, ocher moon
shone, in the room, mouth open, no song.
**********************
And mine:
LAST VISIT
Pared to the bone,
The ivory skin is wrinkled,
Cool and soft to the touch.
Spare flesh on the old bones,
The hands plucking,
Plucking the sheets -
Questioning, moving.
She lies on her side,
The blind eyes open.
Still smelling sweet.
She always has.
I bend to kiss her hands.
To tell her I am here.
"Oh, cover me with kisses,"
She cries in that hoarse,
Rusty voice -
And I do.
Silence then as
She drifts away,
Listening to the voices of memory.
"Mother, it's OK to go," I say.
The next morning she dies,
Alone in the room.
I could have stayed,
What urgency called me away?
I wanted so to see her out,
To ease her through the door.
I ache for the chance
To be with her again.
Mary Murphy 8/15/89
Sunday, April 14, 2013
Kid - By Simon Armitage
Kid -Simon Armitage
Batman, big shot, when you gave the order
to grow up, then let me loose to wander
leeward, freely through the wild blue yonder
as you liked to say, or ditched me, rather,
in the gutter . . . well, I turned the corner.
Now I've scotched that "he was like a father
to me" rumour, sacked it, blown the cover
on that "he was like an elder brother"
story, let the cat out on that caper
with the married woman, how you took her
downtown on expenses in the motor.
Holy robin-redbreast-nest-egg-shocker!
Holy roll-me-over-in-the-clover,
I'm not playing ball boy any longer
Batman, now I've doffed that off-the-shoulder
Sherwood-Forest-green and scarlet number
for a pair of jeans and crew-neck jumper;
now I'm taller, harder, stronger, older.
Batman, it makes a marvellous picture:
you without a shadow, stewing over
chicken giblets in the pressure cooker,
next to nothing in the walk-in larder,
punching the palm of your hand all winter,
you baby, now I'm the real boy wonder.
Batman, big shot, when you gave the order
to grow up, then let me loose to wander
leeward, freely through the wild blue yonder
as you liked to say, or ditched me, rather,
in the gutter . . . well, I turned the corner.
Now I've scotched that "he was like a father
to me" rumour, sacked it, blown the cover
on that "he was like an elder brother"
story, let the cat out on that caper
with the married woman, how you took her
downtown on expenses in the motor.
Holy robin-redbreast-nest-egg-shocker!
Holy roll-me-over-in-the-clover,
I'm not playing ball boy any longer
Batman, now I've doffed that off-the-shoulder
Sherwood-Forest-green and scarlet number
for a pair of jeans and crew-neck jumper;
now I'm taller, harder, stronger, older.
Batman, it makes a marvellous picture:
you without a shadow, stewing over
chicken giblets in the pressure cooker,
next to nothing in the walk-in larder,
punching the palm of your hand all winter,
you baby, now I'm the real boy wonder.
Saturday, April 6, 2013
Seamus Heaney
Seamus Heaney:
Dangerous pavements.
But this year I face the ice
With my father’s stick.
From The New Yorker
Dangerous pavements.
But this year I face the ice
With my father’s stick.
From The New Yorker
Monday, April 1, 2013
Filler - W.H. Auden
Filler
- May 12, 1966
The Marquis de Sade and Genet
Are most highly thought of to-day;
But torture and treachery
Are not my sort of lechery,
So I’ve given my copies away.
The Marquis de Sade and Genet
Are most highly thought of to-day;
But torture and treachery
Are not my sort of lechery,
So I’ve given my copies away.
Saturday, March 30, 2013
Spring
From the Writers Almanac: Spring
by Jim Harrison
Something new in the air today, perhaps the struggle of the bud to become a leaf. Nearly two weeks late it invaded the air but then what is two weeks to life herself? On a cool night there is a break from the struggle of becoming. I suppose that's why we sleep. In a childhood story they spoke of the land of enchant- ment." We crawl to it, we short-lived mammals, not realizing that we are already there. To the gods the moon is the entire moon but to us it changes second by second because we are always fish in the belly of the whale of earth. We are encased and can't stray from the house of our bodies. I could say that we are released, but I don't know, in our private night when our souls explode into a billion fragments then calmly regather in a black pool in the forest, far from the cage of flesh, the unremitting "I." This was a dream and in dreams we are forever alone walking the ghost road beyond our lives. Of late I see waking as another chance at spring.
"Spring" by Jim Harrison, from Songs of Unreason. © Copper Canyon Press, 2011
Something new in the air today, perhaps the struggle of the bud to become a leaf. Nearly two weeks late it invaded the air but then what is two weeks to life herself? On a cool night there is a break from the struggle of becoming. I suppose that's why we sleep. In a childhood story they spoke of the land of enchant- ment." We crawl to it, we short-lived mammals, not realizing that we are already there. To the gods the moon is the entire moon but to us it changes second by second because we are always fish in the belly of the whale of earth. We are encased and can't stray from the house of our bodies. I could say that we are released, but I don't know, in our private night when our souls explode into a billion fragments then calmly regather in a black pool in the forest, far from the cage of flesh, the unremitting "I." This was a dream and in dreams we are forever alone walking the ghost road beyond our lives. Of late I see waking as another chance at spring.
"Spring" by Jim Harrison, from Songs of Unreason. © Copper Canyon Press, 2011
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